Tom Service explores the music of 19th-century composer Max Reger. Plus composer, pianist and journalist Peter Dickinson talking about his life in music. Show more Tom Service explores the music of ...
Max Reger’s effusively early 20th century, late Romantic orchestral music is a hard sell in Los Angeles, or at least it is perceived that way, since no one has actually tried to sell it in recent ...
This is one of those recordings that immediately stops you in your tracks. The performances are fine indeed, but more than anything, it’s the music itself that strikes you – it’s both utterly unique ...
More often than not, it is the work of a familiar and respected artist that we celebrate with a festival. But during the weekend just past, Indiana University’s Jacobs School defied that tradition in ...
On the organ, in instrumental duo and with voice and piano. Different ways to remember the figure of Max Reger, late-romantic German composer and organist. The appointment is for tomorrow at 20.30 in ...
This year’s centenary of Max Reger’s death isn’t getting much attention on disc or in the concert hall, but Sophie Bevan and Malcolm Martineau’s collection of his songs is a timely gesture. In keeping ...
This is a fabulous recording of beautiful music beautifully played. Pianist Mark Latimer performs two sets of variations by Max Reger (1873–1916) beginning with Op.81, on a long theme from Bach’s ...
The Worcester Chapter of the American Guild of Organists will present the Max Reger Festival 150 from Nov. 3 to 5 to celebrate the 150th birthday of the German composer, pianist and organist credited ...
The Bach worship of the late-Romantic composer Max Reger largely took the form of voluminous writing for organ and a fondness for the fugue. But it arises in a more austere - and for some of us, more ...
Bavarian composer Max Reger would be the first to admit that his music could be densely packed. He even used the word "turgid" one time. But Reger occasionally gave in to his lighter-hearted side.
Mozart wrote a lovely set of variations for the opening movement of his Piano Sonata, K. 331. More than a century later, German composer Max Reger became obsessed with that same theme... and wrote ...