Thursday night’s Dallas Symphony Orchestra program featured music by Hungarian composers and by a German who turned Hungarian ...

"It's a little piece called the Beethoven Violin Concerto," Pervinca Rista says, and then, underscoring the understatement, almost imperceptibly laughs. Beethoven's Violin Concerto, properly known as ...

Performances in N.Y.C. Advertisement Supported by My Favorite Page Unsuk Chin was inspired by Leonidas Kavakos to return to the genre, and the result comes to Carnegie Hall on Monday. By David Allen ...

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto ...

Wynton Marsalis' rare musical versatility has long been a beacon in the worlds of jazz and classical music. Now the Grammy Award-winning trumpeter and Pulitzer Prize-winning composer brings those ...

Henryk Wieniawski composed the "Violin Concerto in F sharp minor" in 1853. Its premiere took place on 27th October 1853 in Leipzig, with Wieniawski playing the solo part, accompanied by the famous ...

In his first recording as conductor, Pekka Kuusisto is insightful and in control, and Vilde Frang brings electricity to both concertos There are two violinists at work on this recording, and it ...

Simon Rattle takes the concerto back to the 19th century and Renaud Capuçon’s partnership with Stephen Hough for the sonata is a meeting of equals The Violin Concerto is not only one of Elgar’s ...

This interview originally aired on April 21, 2021. We rebroadcast it on July 7, 2021. Gil Shaham/Eric Jacobsen and the Knights — Beethoven, Brahms: Violin Concertos (Canary Classics) Jump to CD ...

The 1930s were a vibrant time for the violin, a fact that Gil Shaham is exploring in a characteristically vivacious and thoughtful series of recordings encompassing the concertos from that decade. On ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook At the New York Philharmonic, concertos by Samuel Barber and Wynton Marsalis offered contrasting musical ideas: lyrical cohesion and ...

Are we in a golden age of violinists? It looks like it. That astonishing young players keep coming up the ranks and capturing the public’s imagination is nothing new. But what really seems to mark our ...